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Are bad girls casualties of patriarchy, a necessary evil, or visionary pioneers? By tracing the concept of the bad girl in Japan as a product of specific cultural assumptions and historical settings, Bad Girls of Japan maps new roads and old detours in revealing a disorderly politics of gender. The essays explore deviancy in richly diverse media. Mountain witches, murderers, performance artists, cartoonists, schoolgirls, and shoppers gone wild are all part of the terrain.
Feminism --- Sex role --- Women --- Psychology. --- Social conditions --- J4127 --- J4176 --- Psychology --- Japan: Sociology and anthropology -- social identity and self --- Japan: Sociology and anthropology -- gender roles, women, feminism --- Mental health --- Japan --- Philosophy and psychology of culture --- Drawing --- Literature --- beeldverhalen
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J0010 --- J4100 --- Japan: General works -- monographs and series --- Japan: Sociology, anthropology and culture in general --- Japan --- Drawing --- History of civilization --- manga --- cultuurgeschiedenis --- beeldverhalen
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Girls in literature --- Girls --- Japanese literature --- J4176 --- J5509 --- J5930 --- Books and reading --- History and criticism --- Japan: Sociology and anthropology -- gender roles, women, feminism --- Japan: Literature -- theory, methodology and philosophy --- Japan: Literature -- modern fiction and prose (1868- ) --- Girls in literature. --- History and criticism. --- Japan --- Philosophy and psychology of culture --- Drawing --- Literature --- beeldverhalen
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Race and Racism in Modern East Asia juxtaposes Western racial constructions of East Asians with constructions of race and their outcomes in modern East Asia. It is the first endeavor to explicitly and coherently link constructions of race and racism in both regions. These constructions have not only played a decisive role in shaping the relations between the West and East Asia since the mid nineteenth century, but also exert substantial influence on current relations and mutual images in both the East-West nexus and East Asia. Written by some of the field's leading authorities, this groundbreaking 21-chapter volume offers an analysis of these constructions, their evolution and their interrelations.
Racism --- Western countries --- Race relations. --- Historiography --- East Asia --- Sociology of minorities --- History of Asia --- anno 1800-1999 --- S02/0300 --- S11/0490 --- S11/1205 --- S11/1215 --- J4129 --- J4206 --- K9330 --- K9310.90 --- China: General works--Chinese culture and the West and vice-versa --- China: Social sciences--Society: general --- China: Social sciences--Chinese sources on foreign nations (e.g. Ma Duanlin) --- China: Social sciences--Works on national minorities and special groups: since 1949 --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization --- Japan: Sociology and anthropology -- communities -- racial and ethnic --- Korea: Communities, social classes and groups -- ethnic and racial --- Korea: Society, social psychology and social-anthropological phenomena (South) Korea -- cross cultural contacts and contrasts --- Bias, Racial --- Race bias --- Race prejudice --- Racial bias --- Prejudices --- Anti-racism --- Critical race theory --- Race relations --- Historiography. --- Asia, East --- Asia, Eastern --- East (Far East) --- Eastern Asia --- Far East --- Orient --- Occident --- West (Western countries) --- Western nations --- Western world --- Developed countries --- Racisme --- Relations raciales --- Asia --- Drawing --- cultuurverschillen --- racisme --- beeldverhalen
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This history of Japanese mass culture during the decades preceding Pearl Harbor argues that the new gestures, relationship, and humor of ero-guro-nansensu (erotic grotesque nonsense) expressed a self-consciously modern ethos that challenged state ideology and expansionism. Miriam Silverberg uses sources such as movie magazines, ethnographies of the homeless, and the most famous photographs from this era to capture the spirit, textures, and language of a time when the media reached all classes, connecting the rural social order to urban mores. Employing the concept of montage as a metaphor that informed the organization of Japanese mass culture during the 1920's and 1930's, Silverberg challenges the erasure of Japanese colonialism and its legacies. She evokes vivid images from daily life during the 1920's and 1930's, including details about food, housing, fashion, modes of popular entertainment, and attitudes toward sexuality. Her innovative study demonstrates how new public spaces, new relationships within the family, and an ironic sensibility expressed the attitude of Japanese consumers who identified with the modern as providing a cosmopolitan break from tradition at the same time that they mobilized for war.
Popular culture --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- History --- Japan --- Civilization --- J4143 --- J4172 --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Japan: Sociology and anthropology -- family and interpersonal relations -- sex relations (identity, preference, community, customs and culture) --- Popular culture - Japan - History - 20th century --- Japan - Civilization - 1912-1926 --- Japan - Civilization - 1926-1945 --- Philosophy and psychology of culture --- Sociology of cultural policy --- cultuurbeleid --- 1920s. --- 1930s. --- academic. --- colonialism. --- consumerism. --- cultural studies. --- culture. --- daily life. --- erotic. --- ethnography. --- fashion. --- food. --- government. --- grotesque. --- homeless. --- housing. --- ideology. --- japan. --- japanese history. --- japanese. --- mass culture. --- modern world. --- movies. --- pearl harbor. --- photography. --- political. --- politics. --- pop culture. --- popular entertainment. --- postwar. --- rural. --- scholarly. --- social studies. --- television. --- urban. --- wartime. --- world war 2. --- wwii.
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Censorship --- Fiction --- Japanese literature --- Motion pictures --- Trials (Obscenity) --- J4128 --- J4150.90 --- J5500.90 --- J5501 --- J5930 --- J6801 --- J6839 --- Obscenity (Law) --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Book censorship --- Books --- Literature and morals --- Anticensorship activists --- Challenged books --- Expurgated books --- Intellectual freedom --- Prohibited books --- History --- History and criticism --- Japan: Sociology and anthropology -- human and civil rights, freedom of speech --- Japan: Sociology and anthropology -- cultural history -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Japan: Literature -- history and criticism -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Japan: Literature -- policy, legislation, guidelines, codes of behavior (government, internal...) --- Japan: Literature -- modern fiction and prose (1868- ) --- Japan: Performing and media arts -- policy, legislation, guidelines, codes of behavior --- Japan: Media arts and entertainment -- cinema --- Philosophy --- Law and legislation --- Japan --- Philosophy and psychology of culture --- Human rights --- Drawing --- censuur --- beeldverhalen
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Film --- Japan --- J6848 --- J5960 --- J4143 --- Japan: Media arts and entertainment -- anime --- Japan: Literature -- modern fiction and prose -- manga --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Animated films --- Animated television programs --- Comic books, strips, etc --- Science fiction films --- Extrapolative films --- Future films (Science fiction films) --- Sci-fi films --- Sci-fiers (Motion pictures) --- Motion pictures --- Cartoons (Television programs) --- Television cartoon shows --- Television programs --- Animation (Cinematography) --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Abstract films --- Animation cels --- History and criticism --- manga --- beeldverhalen
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This illustrated volume brings together an international group of scholars from many specialities to explore the richness and subtleties of Japanese manga (comic books or graphic novels) and anime (animated films)--and how they have become two of the most universally recognized forms of contemporary mass culture.
Comic books, strips, etc. --- Animated films --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- History and criticism. --- Comic books, strips, etc --- 130.2 --- 791.46 --- animatie --- anime --- beeldverhaal --- cultuurfilosofie --- film --- Japan --- manga --- populaire cultuur --- tekenkunst --- J4143 --- J5960 --- J6848 --- History and criticism --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Japan: Literature -- modern fiction and prose -- manga --- Japan: Media arts and entertainment -- anime --- Bandes dessinées --- Dessins animés --- Dessins animés --- Mangas --- Histoire et critique --- Histoire et critique. --- Japan. --- Drawing --- Literature --- beeldverhalen
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Réunit des histoires courtes mettant en scène l'univers du Japon, sous forme de bandes dessinées réalisées par 16 auteurs francophones et japonais ou vivants au Japon.
Japan --- Comic books, strips, etc --- Graphic novels --- J4129 --- J5590 --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Comic books, strips, etc. --- Fiction --- Popular literature --- Comic strips --- Comics --- Funnies --- Manhua (Comic books) --- Manhwa (Comic books) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization --- Japan: Literature -- foreign literature about Japan --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I︠A︡ponii︠a︡ --- Japam --- Japani --- Japão --- Japon --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihon --- Nihon-koku --- Nihonkoku --- Nippon --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yapan --- Yīpun --- Zhāpān --- Япония --- اليابان --- يابان --- 日本 --- 日本国 --- Jepun --- Yapon --- Yapon Ulus --- I︠A︡pon --- Япон --- I︠A︡pon Uls --- Япон Улс --- Drawing --- beeldverhalen
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Contemporary Japanese pop culture such as anime and manga (Japanese animation and comic books) is Asia's equivalent of the Harry Potter phenomenon--an overseas export that has taken America by storm. While Hollywood struggles to fill seats, Japanese anime releases are increasingly outpacing American movies in number and, more importantly, in the devotion they inspire in their fans. But just as Harry Potter is both "universal" and very English, anime is also deeply Japanese, making its popularity in the United States totally unexpected. Japanamerica is the first book that directly addresses the American experience with the Japanese pop phenomenon, covering everything from Hayao Miyazaki's epics, the burgeoning world of hentai, or violent pornographic anime, and Puffy Amiyumi, whose exploits are broadcast daily on the Cartoon Network, to literary novelist Haruki Murakami, and more. With insights from the artists, critics, readers and fans from both nations, this book is as literate as it is hip, highlighting the shared conflicts as American and Japanese pop cultures dramatically collide in the here and now.
Popular culture --- Japanese influences --- United States --- Japan --- Civilization --- J4143 --- J4129 --- J6848 --- J6794.11 --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Japan: Sociology and anthropology -- cultural trends and movements -- popular culture --- Japan: Sociology and anthropology -- cross-cultural contacts, contrasts and globalization --- Japan: Media arts and entertainment -- anime --- North America: Performing arts and entertainment in the United States --- Japanese influences. --- -Civilization --- -J4143 --- -Popular culture --- Nihon --- Nippon --- Iapōnia --- Zhāpān --- I︠A︡ponii︠a︡ --- Yapan --- Japon --- Japão --- Japam --- Mư̄ang Yīpun --- Prathēt Yīpun --- Yīpun --- Jih-pen --- Riben --- Government of Japan --- U.S.A. --- Jungtinės Amerikos valstybės --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Zlucheni Derz︠h︡avy --- USA --- US --- Arhab --- Ar. ha-B. --- Artsot ha-Berit --- ولايات المتحدة الامريكية --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- ABSh --- Amerika Birlăshmish Shtatlary --- ABŞ --- Amerika Birlăşmi Ştatları --- Forente stater --- Spojené staty americké --- Severo-Amerikanskie Shtaty --- Sjedinjene Američke Države --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Amerikai Egyesült Államok --- Yhdysvallat --- Verenigde Staten --- Egyesült Államok --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Estados Unidos de América --- United States of America --- Fareyniḳṭe Shṭaṭn --- Artzois Ha'bris --- Estados Unidos da América do Norte --- SShA --- Soedinennye Shtaty Ameriki --- VSA --- États-Unis d'Amérique --- Vereinigte Staaten von Amerika --- Stati Uniti d'America --- Estados Unidos --- EE.UU. --- Stany Zjednoczone --- ĒPA --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- SAD --- Saharat ʻAmērikā --- Hēnomenai Politeiai Amerikēs --- ZSA --- Mei-kuo --- Meiguo --- Mei guo --- ZDA --- Združene države Amerike --- U.S. --- America (Republic) --- Amirika Carékat --- Verenigde State van Amerika --- VS --- ولايات المتحدة --- Wilāyāt al-Muttaḥidah --- ولايات المتّحدة الأمريكيّة --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Estatos Unitos --- Estatos Unitos d'America --- Ètats-Unis d'Amèrica --- Estaos Xuníos d'América --- Estaos Xuníos --- Tetã peteĩ reko Amérikagua --- Istadus Unidus --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Bí-kok --- Amerika Qushma Shtattary --- AQSh --- Злучаныя Штаты Амерыкі --- Zluchanyi︠a︡ Shtaty Ameryki --- Yunaeted Stet blong Amerika --- Yunaeted Stet --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Stadoù-Unanet Amerika --- Sŭedineni amerikanski shtati --- САЩ --- SASht --- Съединените щати --- Sŭedinenite shtati --- Америка (Republic) --- Amerika (Republic) --- Estats Units d'Amèrica --- Америкӑри Пӗрлешӳллӗ Штатсем --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Stati Uniti --- SUA (Stati Uniti d'America) --- Unol Daleithiau America --- Unol Daleithiau --- Amerikas Forenede Stater --- Vereinigte Staaten --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Zjadnośone staty Ameriki --- Ameerika Ühendriigid --- Ηνωμένες Πολιτείες της Αμερικής --- Hēnōmenes Politeies tēs Amerikēs --- Η.Π.Α. --- Ē.P.A. --- Usono --- Unuiĝintaj Ŝtatoj de Ameriko --- Американь Вейтьсэндявкс Штаттнэ --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Ameriketako Estatu Batuak --- Feriene Steaten --- Feriene Steaten fan Amearika --- FS --- Stâts Unîts di Americhe --- Stâts Unîts --- Stáit Aontaithe Mheiriceá --- Steatyn Unnaneysit America --- Steatyn Unnaneysit --- S.U.A. --- Na Stàitean Aonaichte --- NSA --- Mî-koet --- 미국 --- Miguk --- Amerikayi Miatsʻyal Nahangner --- Miatsʻyal Nahangner --- Culture --- #SBIB:309H040 --- #SBIB:316.7C140 --- Populaire cultuur algemeen --- Cultuursociologie: cultuur en globale samenlevingen --- Sociology of culture --- Popular culture - United States - Japanese influences --- Popular culture - Japan --- United States - Civilization - 1970 --- -Japan - Civilization - 1945 --- Amerikaanse cultuur --- beeldverhalen --- Culture populaire --- États-Unis --- Influence japonaise --- Civilisation --- 1945-.... --- 1970-2000
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